Boss SL-20 Slicer Pedal Audio Pattern Processor

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Price: $169.00    

Product Feature

• Instant groove and percussive-melody generator
• 50 Slice patterns onboard, with adjustable attack and duration, including Harmonic Slice
• Tap Tempo via onboard pedal switch; internal and MIDI sync
• Sound characteristics such as attack, duration, effect level, and direct level are controllable via external Expression pedal (sold separately)
• Variety of output modes, including the unique 3D Panning for spacious sliced FX

Product Description

The Boss SL-20 Slicer guitar pedal takes you beyond looping, giving you a truly creative tool that's sure to spark your playing. Guitarists, bassists, keyboardists, and DJ alike can reap the sonic benefits of the SL-20's one-of-a-kind abilities. Go with from 50 built-in Slice patterns or experiment with the SL-20's innovative Harmonic Slicer feature, which generates percussive melodies, Loop Record, and one-of-a-kind 3D Panning. You get Tap Tempo functionality via an built-in pedal, and output modes that make the most of multiple-amp setups. Breathe new life into any instrument with the innovative and completely cool SL-20!

Boss SL-20 Slicer Pedal Audio Pattern Processor Review

What it does:

The Boss SL-20 is a Panner/Gater with 50 rhythmic patterns some of which have a fair amount of pitch shifting. It really shines in stereo where you can get some pretty interesting panning effects including several "3D" effects where the sound seams to move around you in 3 dimensions (duh). The panning is synced to the rhythm which you can adjust through either; tap tempo, a dial or a midi clock (such as those found on drum machines)

You can adjust the attack, how fast each "slice" rolls on and the duty how long each "slice" lasts.

Additionally rather than a wet/dry mix you have separate volume controls for both the dry (unaffected) tone and the wet (effected) tone.

You can also use a separate expression pedal to control the different parameters such as attack and duty.

O.K. so now we know what it does. Let's talk about how well it does it and how useful the effect is.

Playing through it takes a little getting used to. It works well with creating a groove type rhythm with long sustained notes. It also sounds cool when you "play to" the rhythm as in you strike the note/chord just as the attack is swelling. Poorly timed notes/chords are noticeable even when playing through a compressor. This can getting kind of tricky as I don't believe all of the patterns are in 4/4 timing and there can be several (or many) "slices" per beat.

I think that the patterns sort of lend themselves to techno style rhythms, but certainly open the doors for creative expression as long as you have an open mind. I tend to play pretty heavily distorted tones which really lend themselves to this effect. I don't think it works nearly as well with clean tones. Though I am sure with enough experimentation, you could get some pretty cool sounds out of it even with a clean tone.

The coolest thing about this effect is that it will get you jamming. Between all the variables, you could spend hundreds of hours experimenting with riffs.

It is not the type of effect that you will have on in every song, but there are definitely sounds to be discovered that would be impossible without this effect.

As far as I am concerned it is a keeper.

Aaron

I almost forgot to mention. There is a sound on sound feature that allows you to record a short phrase and then play over the top of it. I rarely use this feature because I have a dedicated looping pedal but it is definitely cool bonus.

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