VOX STOMPLAB1G Modeling Guitar Floor Multi-Effects Pedal
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Product Feature
- A total of 100 preset programs are categorized into styles such as rock, blues, metal, and pop
- Easy to use interface; even novice users can instantly access the sounds they want.
- Stomp Lab IG provides 103 types of modeling effects
- Each effect model boasts a sound engine that has been distilled from the worldwide best-selling VT+ series of modeling amps as well as the Tone Lab series of multi-effect units.
- Edit and save 20 of your own user programs
Product Description
The Vox Stomp Lab series of effect pedals, of which the Stomp Lab IG modeling guitar pedal is a part of, are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. With high-quality looks, plus its high quality sound, the Stomp Lab series will be a great companion for the guitarist or bassist for years to come. Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The Stomp Lab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You'll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.VOX STOMPLAB1G Modeling Guitar Floor Multi-Effects Pedal Review
I play solo jazz, back up singers, small duos and in country combos. I needed a new tuner and a reverb pedal for the price of a modest tuner. This does both (and more) for less. The fewer pedals, the better and they need to work with my 1spot. Spendy gear is not a realistic use of my modest funds. I use a Bad Monkey for my basic dirt as it works with an amp or direct. The Monkey goes into the Stomplab where user patches 1,3 5,7 and 9 have the same identical settings: Modest compression, slap back delay and some room reverb. Spaces 0,2,4,6 and 8 have the novelty effects like flanging, big reverb with big delay, tremelo etc. That way, I'm only 1 click away from normal at any time and I don't have to hop around on the pedal to get out of a weird patch. The tremelo is neither square nor sine wave but in between. I add some delay and it smoothes out. I like the compressor, only 2 knobs and fairly unobtrusive, not clicky. The other modulations are 2 knob and not very complex sounding but hey reminded me of old Magnatone amps. The room reverb is more believable than many more expensive pedals. The spring reverbs sounded amp like - more Silvertone than Fender. The overdrives were not for me. I set the stomplab as clean and neutral as possible. The Ocatvia seemed usable. All the stttings can be made to have the same volume.If your tastes run to Alabama Shakes, Southern Culture on the Skids, or other rootsy lo-fi., you can dial that right in. Try get that stuff with expensive gear! I need clean with some ambiance without a $500 case of pedals so I'm happy. Great price and easy to use once you get the hang of it. Both of my pedals could fit in my gigbag front pocket.
CONS: If you buy one, download the PDF manual, cut and paste the charts on one sheet at a font size you can read. The manual that comes with has tiny, tiny print and is not handy to flip through. No power supply included. Not easy to change parameters on the fly at a gig.
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