Sunday, September 1, 2013

Metal-end Diistortion Pedal Biyang

Metal-end Diistortion Pedal Biyang

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Price: $58.00    Updated Price for Metal-end Diistortion Pedal Biyang now
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Product Feature

  • Metal-end Diistortion Pedal Biyang by Biyang

Product Description

The new Metal End Pro a very POWERFUL Distortion in their new series. Can certainly compete with more well known (and much more expensive) vintage rivals. This is an effect never quite seen before on the market, which is able to produce tube-like power, any kind of punch from rock to full out Metal, and all in between. The Metal End features almost unheard of switchable options at a box in this price range! Lots of tonal switching options! Scoop the mids or use the Amp sim to kick it up even more. Numerous ways to pound the sound !Features: Solid Stainless Steel enclosure. Level, Low, Mid Freq, Middle, High and Distortion controls. Built in Amplifier Simulator with on off toggle switch. 3 position toggle switch for Modern, Normal and Classic sound 2 position High Cut toggle switch 3 Position toggle switch for Normal, Bright and warm tones 9v mains adapter socket (Positive ground, negative tip - As Boss and most other popular pedals) True bypass stomp switch. Uses high quality parts such as German WIMA audio capacitance, High precision resistance etc for signal transaction. Entirely dust-proof rheostat, for long using life.. Size W 6" x D 5" x H 1.5" Wt of unit itself : 1 lb 2 oz. Biyang uses only quality parts in their effects like the WIMA capacitance from Germany, metal sealed potentiometers, and great board designs that offer great sound and long life.

Metal-end Diistortion Pedal Biyang Review

If the intent is to coax rootsy blues tones from this shiny metal monolith, don't waste your time or money. But if metallic chunk is the goal, then you get the searing sounds you would expect from something like a Boss Metal Zone, but with infinitely more tone shaping capabilities, ensuring you never have to deal with the dreaded "bees in a can" buzz. Seriously, while the Metal Zone also offers a parametric EQ control to sculpt the mid frequencies, the Metal End (Metal End...Zone...get it? Silly, crafty Biyang marketing...) has also added an amp sim switch in the event you need to go direct to a PA or to a recording console/mixer/DAW, a Modern/Normal/Classic voicing switch, a High Cut switch, and a second Normal/Bright/Warm voicing switch. As one may surmise, the variety of subterranean grunt that spews forth from this Metal God is mind-numbing. Likely the last "metal" pedal I will ever need.

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